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: Charles, you’ve written OBI-WAN AND ANAKIN as well as POE DAMERON and LANDO.

Really, it’s just a blast, even the really high-canon things like or this new DARTH VADER series. That’s especially true because of the great people at the Lucasfilm Story Group, whose job it is to make sure I can’t break Star Wars. You don’t want to screw things up, you know? But the truth is, Star Wars is broad and deep, and it was really about realizing that nothing I could do was going to break it. : Does it ever worry you when you think about the fact you’re writing Star Wars canon? What sort of pressures does that create for you?Ĭharles Soule: I was nervous at first, when I got my first gig to write the LANDO. I do like to watch the movies/shows relevant to the time period I’m exploring, and I’ve done my best to read all of the novels that have been released since the start of the new canon period and of course the comics, which are all pretty darn fantastic.

: Before digging into all things Sith, I have to ask: How do you get yourself mentally in the game to begin writing something in the world of Star Wars?Ĭharles Soule: At any given moment since I was about five years old, Star Wars has occupied a non-insignificant portion of my mental game as it is-so writing Star Wars stories is really just about ratcheting that up a little bit. With the news out and fan interest on the rise, we sat down with Soule to take an in-depth look at what readers will encounter in his and Camuncoli’s take on Palpatine’s last and greatest apprentice.

This June, the writer teams with artist Giuseppe Camuncoli to take the lead on Marvel’s new Star Wars series, DARTH VADER. Obi-Wan never told you what happened to your father, but Charles Soule will!